Cornerstone Theater Looking for Ushers – See Caring for the Beast

Are you someone who would love to see On Caring for the Beast but either can’t pony up for admission and/or just want to lend ctc a hand? then here’s your opportunity to help us help you, be an usher! please forward this to ctc friends and family and share the wealth of free theater.

Read more on Cornerstone Theater Looking for Ushers – See Caring for the Beast…

  • Share/Bookmark

CHANGES/ADJUSTMENTS TO INTERIM SCHEDULE

Below are all of the changes to the interim schedule as of today. These are also reflected as part of the schedule online at our INTERIM page

CHANGES

  • [Th-13] Designs on Dance – No individual appts. necessary—it is a roundtable discussion.

Read more on CHANGES/ADJUSTMENTS TO INTERIM SCHEDULE…

  • Share/Bookmark

Interim Information

What is INTERIM?

During the first two weeks of the spring semester (January 19-31, 2010), the School of Theater will participate in an INTERIM session, along with the School of Music and certain programs from other schools.

Read more on Interim Information…

  • Share/Bookmark

STAGE MANAGER & LIGHT BOARD OP FOR WORKSHOP PRODUCTION

Fierce Backbone is looking for a Stage Manager and a Light Board Op for our upcoming workshop production of TS Cook’s ”Everything But.” The show runs Fri. – Sun. nights the first two weekends in Dec. (12/4-6 & 12/11-13) at the Secret Rose in North Hollywood. Build/Tech/Run Thru’s are Fri. 11/27 – Sun. 11/29,  Wed & Thur. 12/2-3.

STAGE MANAGER will start immediately with rehearsals that take place in Hollywood during the day on Wed, Thurs, Sat & Sun. And be fully available for Tech week and production dates. 

LIGHT BOARD OP will start on Sat. 12/28. Experience at the Secret Rose is preferred but not necessary.

Please forward your information & resume to hannahcrum@gmail.com.

Read more on STAGE MANAGER & LIGHT BOARD OP FOR WORKSHOP PRODUCTION…

  • Share/Bookmark

BLEEDING THROUGH

“…it’s fun just to let the story and characters wash over you – you feel like you’re back in the LA of the 1920s to 1940s.” – John Rabe, KPCC’s Off Ramp

Read more on BLEEDING THROUGH…

  • Share/Bookmark

Druid Ireland; The Walworth Force

Nov 11-15:

At 11 a.m. in a grotty London flat, Dinny and his two adult sons begin their daily routine. Iron the dress. Get the roast chicken. Brush the wigs. Start the show. Then, over the course of two hours, kill off five people, as usual. This tragedy wrapped in farce upends all cozy, homespun Irish-immigrant tales of the old country. Playwright Enda Walsh delves unsparingly into why Dinny left Ireland, why his sons don’t leave him, and the story that has entrapped them all.

Read more on Druid Ireland; The Walworth Force…

  • Share/Bookmark

RAMAYANA: AN INDIAN EPIC

November 6, 2009 – November 8, 2009

RAMAYANA: AN INDIAN EPIC

Balinese music and dance by Gamelan Burat Wangi
Co-presented with The Music Circle
An ensemble of 25 gamelan players and 14 dancers enacts an exquisite Balinese adaptation of the Ramayana, the ancient Hindu epic brought to Bali from India more than a millennium ago. Directed and choreographed by the distinguished duo of I Nyoman Wenten and Nanik Wenten, this dance drama of lust and abduction, of war and faith, is filled with characters who look like birds, monkeys and warriors but who may turn out to be kings and gods. Among the many distinctive refinements of the Balinese Ramayana are the electrifying dances of Hanoman, the monkey general who helps Rama rescue Sita from the clutches of Rahwana. The production features three special guest artists from Bali: drummer I Wayan Budha and dancers I Made Dwi Putra Yoga as Rama, and Anak Agung Gede Rahma Putra, as Hanoman. With a pre-show presentation on the aesthetics of Hindu-Balinese performing arts by ethnomusicologist Sue Carole DeVale.

Read more on RAMAYANA: AN INDIAN EPIC…

  • Share/Bookmark

Ontroerend Goed: Once and For All We’re Gonna Tell You Who We Are So Shut Up and Listen

Nov. 3-7:

To venture into the emotional and physical jungle of adolescence, the Ontroerend Goed performance group has enlisted 13 teenage guides who are going to tell it like it is, like it or not. This completely uncompromising look at the raw urges and untamed thoughts rattling around in semi-adult bodies shocked and charmed audiences across Europe last year. Hilarious, disturbing and strangely life-affirming, “Once and For All We’re Gonna Tell You Who We Are So Shut Up and Listen” pulls down all the barriers. You’ll never look at a teenager the same way again.

Read more on Ontroerend Goed: Once and For All We’re Gonna Tell You Who We Are So Shut Up and Listen…

  • Share/Bookmark

GRANSEEKING BASICS FOR INDIVIDUALS IN THE ARTS WORKSHOP

Pasadena – Thursday, October 29, 1:30-3:00 pm

This course is geared towards individuals involved in the arts and looking to fund any type of arts-related project.

If you are an individual involved in the arts and looking for funding to complete a project, mount an exhibition, put on a performance, conduct research, or anything else arts-related, Grantseeking Basics for Individuals in the Arts will show you how to:

Read more on GRANSEEKING BASICS FOR INDIVIDUALS IN THE ARTS WORKSHOP…

  • Share/Bookmark

WAITING FOR LEFTY OPENS THIS WEEK

Oct 23, 24, 26 2009 8 pm

CalArts, Butler Building #2

Fri, 10/23/2009 – Mon, 10/26/2009

lefty-newsletter

This workshop production of Waiting for Lefty explores Clifford Odets’ classic story of unions, class, hope, and perseverance through music, motion, and poetry. Written at the height of the Great Depression, this vigorous, confrontational work, based on a 1934 strike of unionized New York cab drivers, is re-examined by guest director Gina Belafonte and the cast in a visual and aural exploration of the period and its story

Read more on WAITING FOR LEFTY OPENS THIS WEEK…

  • Share/Bookmark
keep looking »